THE LION IN WINTER


The Lion in Winter Talkback (Full Audio) – October 1, 2026

First Talkback of the 53rd season. Hosted by Julie Rush, highlights of the Talkback include Jane Hunter polling the audience about the character Eleanor, Steve Mackey going ‘all in’ to play Geoffrey, and the context of the set design especially the lion on the stage floor. Plus a ‘What Happened to…’ history discussion of all the characters in the play.


"Village Players" "Bloor West Village Players" "Village Playhouse" "Runnymede theatre" theatre theater "community theatre" "2026-27" “Lion in Winter” “James Goldman” “Michael Hiller” "David Borwick" "Henry II" "Jane Hunter" "Eleanor" "Asenia Lyall" "Alais Capet" "Janek Gonsalkorale" "Philip Capet" "Tom Vassar" "Richard" "Steve Mackey" "Geoffrey" "Christian Wraxall" "John"

TOP ROW. . .
Janek Gonsalkorale as Philip Capet
Asenia Lyall as Alais Capet
Jane Hunter as Eleanor
David Borwick as Henry II

SECOND ROW. . .
Christian Wraxall as John
Steve Mackey as Geoffrey
Tom Vassar as Richard


Photos from rehearsals in the mainspace and studio (pics 1-8). Production photos courtesy Rick Sutton (pics 9-18).

Trailer for THE LION IN WINTER

Set during Christmas 1183 at Henry II of England’s castle in France (Chinon in Anjou), the play opens with the arrival of Henry’s wife Eleanor of Aquitaine, whom he has had imprisoned for ten years. The story concerns the gamesmanship between Henry, Eleanor, their three surviving sons Richard, Geoffrey, and John, and their Christmas Court guest, the King of France, Philippe II, who was the son of Eleanor’s ex-husband, Louis VII of France (by another wife). Also involved is Philip’s half-sister Alais who has been at court since she was betrothed to Richard at age eight, but has since become Henry’s mistress.

“What matters is the chemistry between the characters, and this show lives and dies by that. The “lion” is Henry II, King of England, Ireland, Wales, and large parts of France. He is 50 years old at this point in time, and worried about the future of his kingdom. His wife, Eleanor of Aquitaine, is a match for him on every level and, possibly, even more unscrupulous. His three surviving sons have contentious relationships with him to say the least.”
~ Michael Hiller, director


James Goldman (1927-1998) was an American playwright, novelist, and screenwriter, honored with an Academy Award for the screen adaptation of his own play The Lion in Winter.

Mr. Goldman was born in Chicago and was a graduate of the University of Chicago before beginning postgraduate work at Columbia University in music criticism until he was drafted into the army during World War II. Mr. Goldman’s first play on Broadway was a comedy about life in the army, Blood, Sweat, and Stanley Poole (1961), written with his brother William.

Other work for the stage includes A Family Affair, a collaboration with John Kander, starring Shelley Berman; Evening Primrose (1966), his second collaboration with Mr. Sondheim; Oliver Twist (1982), Anna Karenina (1985), Anatasia: The Mystery of Anna (1986), and Tolstoy (1996). Mr. Goldman’s novels include The Man from Greek and Roman (1974), Myself as Witness (1980), and Fulton County (1989).


"Village Players" "Bloor West Village Players" "Village Playhouse" "Runnymede theatre" theatre theater "community theatre" "2025-26" “Bus Stop” “William Inge” “Michael Hiller"

Michael has been involved in community theatre across the GTA for over 30 years; his acting roles include Montfleury in Cyrano de Bergerac, Ferraillon in A Flea in Her Ear, and . . . Henry in The Lion in Winter.

This will be the eighth play he has directed for Village Players, following Nuts (2011), Beyond Therapy (2012), Mauritius (2016), Moonlight and Magnolias (2019), The 39 Steps and The Prisoner of Second Avenue (both in 2022), Filthy Rich (2025). (and that’s not counting his participation in zoom readings during the pandemic.) Plays directed elsewhere include The Night Joe Dolan’s Car Broke Down, Is He Dead?, The Odd Couple, The Odd Couple (Female), 5 Women Wearing the Same Dress, Sweet Charity, A Chorus of Disapproval, Godspell, Harvey, Arsenic and Old Lace and many more.

As Mike has said about this play:
“If you think your family’s dysfunctional, we invite you to spend Christmas with the Plantagenets. Like your relatives, only with knives and swords.“


Stage Managers: Bridget Jankowski & Charmaine Peters (rehearsal)

Assistant Stage Managers: Margarita Popova, Deborah Gold, Steve Garrett, Connie van Leeuwen, Julie Rush, and Sadie Ullah

Set Designer: Theresa Arneaud

Costumes: Theresa Arneaud (design), Ann Lenchak, Carolyn Moeller, Colleen Rodriguez, Fotini Paraschos, and Julie Clark

Properties: Robbie Dallas

Sound Design: Rick Sutton (lead) & Steven Galea

Lighting Design: Talia Marlatt

Build Lead: Randy Hesp

Paint Lead: Marion Suttcliffe

Fight & Intimacy Coordinator: Krista Barszo

Poster: Bridget Jankowski

Production Photography: Rick Sutton

Publicity: David Nicholson, John Acuna, and Jayne Patterson

Auditions: Heather Lacey

Set Builders and Painters: Fred Dus, Margarita Popova, Sabrina Smith, Daegan Lunsford, Dayna Spencer, Jackie McKeown, JeN Hashimoto, Tomo Hashimoto, John Acuna, Julie Rush, Karl Nitsch, Katherine Bignell, Lidia Mestnik, Meg Ronson, Michael Ferens, Nick Munaretto, Paula Munaretto, Rebecca Romalis, Susan Poole, Vanessa Greig, and Vlad Vanzha

Operators: Abbi Leslie, David Wittenberg, Charmaine Peters, Julie Rush, and Rick Sutton

Producer’s Lunch: Heather Lacey